Bond-and the audience-arrive in San Monique, and we’re immediately introduced to Baron Semedi, another one of Kananga’s henchmen, “The man who cannot die” and perhaps one of the most supernatural aspects of the film. Here, he’s giving a bizzare stage show while Bond checks into his hotel.
Samedi-who has a very deep voice and laugh-is played by the late Geoffrey Holder.
The character is certainly one of the most memorable henchmen in Bond, and got a spot in the “Goldeneye” game:
and his later look in the film seems to have inspired Bond’s “Day of the Dead” costume in SPECTRE:
Bond, checking into the hotel, is told that a “Mrs. Bond” has already checked in. Another weird slam on Bond’s OHMSS marriage? Like the Moneypenny thing in the last movie, Bond seems slightly perturbed, but that’s about it.
Here Roger’s cigar makes it’s first appearence (although like his harder edge in the first two films, it didn’t stick around for long) and is used with spectacular effect as he combines it with aftershave to torch a snake.
Oddly enough, this sort of relates to another hobby of mine, Metal Gear-in which Solid Snake improvises a similar attack against Big Boss at the end of Metal Gear II. Big Boss of course, started off as “Snake” himself-the original.
After this, we quickly meet Rosie, a CIA agent reportedly working with Felix, but who also, of course, was the woman assigned to the ill-fated agent Baines. She’s kind of portrayed as a bit jumpy, especially when she finds a bloody hat with chicken fingers on the bed.
We do get a funny Moore line here:
It’s just a hat, darling,
belonging to a small-headed man who lost a fight with a chicken.
The next morning, Bond gets a tarot card-an upside down Queen of cups, hinting that Rosie might not be what she seems. It’s never quite made clear who gave him the card, as it’s never really brought up again. Solitare makes the most sense but she’s not quite on Bond’s side yet…
Here we meet Quarrel Jr., the son of Bond’s ally in Dr. No, and like Quarrel himself in Dr.No we’re initially led to believe he might be one of the bad guys, but just like in Dr.No, he’s one of the good guys, working with Bond and Felix like his father did. This actually is partially due to the fact that while in the book continuity Quarrel Sr. helped Bond during the events of Live and Let Die (and later died in Dr.No) The movies were adapted in a different order, and Quarrel Sr. was killed off in Dr.No, the first film.
This also briefly recreates part of the dynamic of Dr.No, when you think about it, with Bond, Felix and Quarrel working together. Although this isn’t Jamacia, it was filmed (in real-life) in Jamacia, so it’s a bit of an interesting callback, especially like Dr.No this is the first film for a Bond. While some aspects of Moore tried to stay away from Connery’s portrayal-for instance Moore smokes cigars, while Connery smokes cigarettes-other aspects are pretty much very Conneryish-especially Moore’s initial approach to the role, although in this film he’s considerably ‘nicer’ than his “Man with the Golden Gun” approach.
….except to Rosie here, who gives Bond confusing directions about where Baines was killed (Plus Kananga pretty much spells it out that she’s a bad guy on the phone in an ajacent seen) After a sexy picnic, Bond has had enough, and wants to know what’s really going on. Rosie however freaks out and is shot by a scarecrow concealing a gun, another one of the film’s somewhat creepy visuals. Say what you will about the ‘safe’ direction of Guy Hamilton, but his films did have some of the more bizarre Bond images here and there, something that would continue into his next-and final Bond film, The Man With the Golden Gun.
Kananga is mad that Bond’s not dead, and thinks that Solitaire might be up to something. Speaking of bizarre visuals, her costume in this scene is certainly one.
After Kananga’s gone, Bond himself sneaks onto Kananga’s fortress via hang glider (smoking a cigar at the same time too!) and confronts Solitaire, with the “lovers” card info, and she quickly falls for him.
Looks like after his somewhat unsuccessful attempts to woo villainous Bond girls in “Thunderball” and “You Only Live Twice”, Bond is able to turn this one over to the good guys, although she’s lost her card-reading powers as a result. However, she’s somewhat more innocent than either Fiona or Helga (Who were both SPECTRE, anyway). As she’s with Bond, she kind of mumbles some strange weirdness, which kind of gets a slight eye roll from Bond, but now that’s she’s with him, she’s quite eager for further ‘lessons’.
I’ve lost it.
The High Priestess is wife to the Prince no longer of this world.
The spiritual bridge to the secret church.
Bond enlists Solitaire’s help to find out what Rosie was trying to hide in the fields nearby. They are greeted by Samedi, whose flute doubles as a transmitter to tell Kananga that Bond is being nosey.
Bond discovers that the fields guarded by the scarecrows and Samedi is in fact poppy fields for heroin. After nearly being shot down by helicopters, Bond and Solitare board a rusty double decker San Monique bus, and then get chased by Kananga’s police force.
While this scene might seem a bit like the Space buggy one from Diamonds Are Forever-Bond being able to outmaneuver his pursuers in a clumsy vehicle (and we’ll see more scenes like this in Roger Moore film’s later on-Particularly For Your Eyes Only and View to A kill), it seems to work a lot better-there’s more of a sense of speed, there’s far less goofy music (Here, it’s the instrumental version of the title theme), and despite being old and rusty, the bus doesn’t look half as silly as the buggy. Plus there’s a great bit where the whole second deck is sheared off by a bridge, landing on the pursuing car.
“Sweet mother of pearl!” as Quarrel Jr. says as Bond quickly makes his escape, boarding the boat-and Bond gets ready to investigate the final agent murder-in New Orleans, where there’s obviously another connection going on.
Of course now Bond’s made Kananga extra angry by taking his woman and his psychic, and Solitaire knows it…..next stop: New Orleans.